Views from the Archives

Beyond West 99th Street: Jarvis in New Haven

(The history of St. Michael’s Church has its origins in earlier histories and extends out in connection with  many other histories from the early nineteenth century through to the present … as I travel around New York City and far beyond it as well, I encounter St. Michael’s in many places.

As some of you may remember, the June 2017 Annual Conference of NEHA (National Episcopal Historians and Archivists) was held at St. Michael’s. Next summer, the 2018 Conference will be held at Trinity-Church-on-the-Green in New Haven, Conn., and the most recent NEHA Board meeting was held there last week.

National Episcopal Historians and Archivists logo

Periodically, I’ll be posting items from ‘Beyond West 99th Street.’  —  JBT)

St. Michael’s second rector was Samuel Farmar Jarvis (1786-1851); he served from 1811 to 1819. The rectorship of St. Michael’s was Jarvis’ first job, as it had been that of St. Michael’s first rector, John Vanderbilt Bartow.  Samuel Farmar Jarvis was the son of Abraham Jarvis (1739-1813), second Bishop of Connecticut.

Abraham, father of Samuel F Jarvis

Abraham Jarvis was ordained deacon and priest in the Church of England; he served as rector of Christ Church, Middletown from 1766 to 1799, seeing the church through the political upheavals of the Revolution and the creation of the new United States. Jarvis was one of ten clergymen to name Samuel Seabury the first bishop of the newly constituted Episcopal Church of the United States in 1783. He himself was consecrated Bishop of Connecticut in 1797 and was both Bishop and rector of Trinity Church, New Haven when he died.

It was Abraham Jarvis who ordained his son, Samuel, deacon and then priest, in 1811.

Samuel Farmar Jarvis

After his father’s death in 1813, plans for the second church building of Trinity-Church-on-the-Green, designed by architect Ithiel Town, were put in place; in 1814, it was Samuel Farmar Jarvis, by then the well-established Rector of St. Michael’s in New York City, who laid and consecrated the cornerstone of the new church. In his address after Morning Prayer on this occasion, Samuel Farmar Jarvis expounded on the first verse of Psalm 127, “Except the Lord build the house, their labour is in vain that build it.”

Trinity Church, NH, early photograph

Abraham Jarvis’ bones are interred under the altar of Trinity-on-the-Green; his burial plaque is topped by the image of his bishop’s mitre.

Bp Jarvis' monument in Trinity Church, NH

The bishop’s presence in New Haven continues.

Bp Jarvis now Yale Graduate Club 155 Elm St.

Yale University’s Graduate Club, located on Elm Street facing the Green, is Bishop Abraham Jarvis’ home, now modernized and added on to.

September 25, 2017

 

A Small Memorial: Used Every Day … Seldom Noticed

Memorials come in all sizes: whole buildings, altars and stained glass windows … plaques … hymnals and prayer-books … chalices, patens, collection plates, linens and vestments … Sometimes, memorials figure in our daily church lives, and we don’t even know it.

One such easy-to-overlook memorial at St. Michael’s Church is for a little boy named Frederick Ralph Gleason.

Gleason Memorial litany desk in Chapel of the Angels

Located in the Chapel of the Angels, this prie-dieu lectern, sometimes called a prayer and litany desk, is used every single day for morning prayer and other services. It is an integral piece of the furniture of our liturgy.

The memorial notice itself is located on a brass plate in the front of the litany desk above the metalwork of leaf motifs and a circle-encased cross. The memorial text, in a restrained Spencerian script, is a little hard to see, but once people have noticed it, they never forget it.

Suffer the little children

To the glory of God and in Loving Memory of

Frederick Ralph Gleason

Aged four years 1896

Suffer the little children to come unto Me

There is almost no information about Frederick in the Archives. He wasn’t baptized at St. Michael’s. He appears in the sacramental registers only once, in Burials, in April, 1896. St. Michael’s rector, the Rev. John Punnett Peters conducted the service; Frederick was buried at Greenwood Cemetery in Brooklyn. That particular spring must have been a tough one. There were seven funerals at St. Michael’s within the first two and a half weeks of April; of these, five were services for children under the age of fourteen.

Frederick Gleason burial notice in sacramental register

Whoever gave the memorial litany desk – Frederick’s parents? his grandparents? we don’t know – must have loved both St. Michael’s Church and the little boy very much. Ecclesiastical furniture like this was not inexpensive. The litany desk seems to have been custom-made by the J. & R. Lamb Firm: the Lambs were a St. Michael’s family and many of the memorials at St. Michael’s were made by Lamb. The Gleason Memorial litany desk is an adaptation of one of the standard Lamb models as displayed in their 1887 Ecclesiastical Metalwork trade catalog.

Lamb catalog litany desks

The Frederick Ralph Gleason Memorial litany desk has been in continuous use here at St. Michael’s since Frederick’s death. Love for one little boy has enriched our daily life of worship and prayer for more than one hundred and twenty years.

2017 Archives Intern, Christopher Echevarria-Smith

For the sixth year in a row, St. Michael’s Church has proudly participated in the New York City History Student Summer Internship program. In this city-wide program administered by the Deputy Borough Historian of Manhattan, students with particular gifts and interests in history are identified by their high school principals and nominated for this internship. Students are then matched with museums, libraries, historic houses, history societies and specialized archival collections; working on special projects, they spend four to six weeks under the mentorship of an archivist, learning how to handle, catalog and interpret a wide variety of archival materials.

picture of intern in Archives

A rising junior at Stuyvesant High School, Christopher Echevarria-Smith assisted in filing and cataloging service bulletins, Messengers, special event notifications and rectors’ pastoral communications from the 1970s forward. He also assisted in the transcription of 19th century financial records and the completion of an early 20th century legal file.

Archival work presupposes flexibility of temperament: sometimes it requires mental concentration and sometimes it’s like a specialized form of housework. It can be both intellectually and physically demanding, especially when a collection is expanding or being fully cataloged.

intern sitting on floor with files and boses

Past interns have worked on important and useful projects such as the development of a database of pre-Civil War African-Americans listed in St. Michael’s sacramental registers, a database of orphans at the Leake and Watts Orphanage baptized during Thomas McClure Peters’ rectorship, and a chronological file of leases for St. Michael’s downtown properties from the 1860s to the 1920s.

completed project: files in archival boxes

All of these projects completed by student interns enable students to understand what primary sources actually are; they learn what “history” looks like before it ends up in textbooks. In addition, these students’ projects put individual elements of St. Michael’s dense and complex collection into an accessible, catalogable format; this work is invaluable when historians, fellow-archivists and genealogists address inquiries to St. Michael’s and to the Archivist.

John W. Priest, St. Michael’s Second Architect

St. Michael’s has had three church buildings. The architect of the first, a small white clapboard structure, built in 1807 and burned in 1853, is unknown. The architect of the third, Robert W. Gibson, has been well known – and appropriately applauded – since the third church was built in 1890.

exterior view of second church

Until now, little has been known about the architect of the second church.  In John Punnett Peters’ centennial history of St. Michael’s, Priest is named in passing as the architect, but the full extent of his involvement in the day-by-day design and building of the second church has only recently been uncovered by examination of  the examined mid-nineteenth century financial records in St. Michael’s archives.

John W. Priest, just coming to prominence when the vestry of St. Michael’s hired him, was based in Newburgh, New York. He was one of only five architects with membership in the New York Ecclesiological Society (founded in 1848, and still in existence today (http://ecclsoc.org/)). He was a founding member of the prestigious American Institute of Architects (www.aia.org/), established just a year and a half after he completed his work at St. Michael’s.

entry from mid-19th c. account book

[Item 653, Building. Received N. York, June 2nd 1854, from J. F. DePeyster, Esq.r, Treasurer of St. Michael’s Church N. Y. one hundred and fifty dollars, on account of plans +c (sic: etc) for said church. $150-. (signed John W. Priest]

St. Michael’s detailed financial records reveal Priest’s close involvement with the building process. He and William Twine, St. Michael’s longtime sexton, worked closely together and with many local craftspeople and artisans. Priest even oversaw many of the church’s interior details. He ordered velvets (for an unspecified use) and chairs and pews; he worked with local glaziers; he coordinated landscaping efforts with the sewer-builders.

There is no explicit record of how the vestry of St. Michael’s came to choose John W. Priest as the architect of the second church. However, he was part of a group of artists, architects, landscape designers who were collectively changing the Manhattan cityscape. Among these was Calvert Vaux, now well known to New Yorkers as one of Central Park’s designers. St. Michael’s vestry were powerful initiators and supporters of the creation of the Park. The Calvert Vaux-John W. Priest circle would naturally have overlapped with the civic leaders who had responsibility for St. Michael’s financial, legal and social well being.

Overall, St. Michael’s Church was one of Priest’s smaller projects. Compared to other Priest buildings, St. Michael’s was not large – it seated about 800 – and, made more of wood than stone, it had the feel of a country church. When St. Michael’s needed to expand – to double in size – in the 1880s, the decision to simply tear down the Priest church seemed relatively simple and straightforward. Thomas McClure Peters would miss the second church, but was wildly proud of the large and impressive third edifice. Today, we do have access to some sense of the size and feel of the second church building: the mosaic floor in front of the Chapel of the Angels altar is, in fact, the altar floor from the second church.

modern photo of Baltimore church restored and redesigned by Priest, 1857

Priest died young in 1859; he was barely thirty-five. Not many of his buildings remain. Although he was not the primary architect on St. Luke’s Church in Baltimore, he oversaw its extensive repair, redesign and expansion right after his work at St. Michael’s. St. Luke’s Baltimore is now on the National Register of Historic Places.